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Until now in classical guitar teaching, the little finger is inexistant. Why not to use it – pianists use to play with it – and this may offer possibilities for some difficult right hand fingerings. But we must admit that this finger is smaller, therefore is it possible for it to become as efficient as the other fingers are ?
Therefore I wrote this book to propose a way to get used to play with this finger, first with simple combinations – alternating with other fingers, double strings, arpeggios, etc. – then studies which you can practice until you feel good in playing the works you love to play.